My Policeman trailer released

My Policeman, directed by Michael Grandage, is due to be released in selected theatres on 21 October and on Prime Video on 4 November.

My Policeman, starring Harry Styles

Starring Emma Corrin as Marion, David Dawson as Patrick Hazelwood, and Harry Styles as Tom Burgess, the story explores forbidden love and changing social conventions.

The film tells the tale of three young people – policeman Tom, teacher Marion and museum curator Patrick – as they embark on an emotional journey in 1950s Britain.

Flashing forward to the 1990s, the characters look back on regret, with one last chance to repair the damage of the past.

Based on the book by Bethan Roberts, My Policeman takes you on a visually transporting and heart-stopping journey of history, freedom and forgiveness.

Twickenham Film Studios, home to the production

The team used TFS as their headquarters for their production offices, art department, costume and props. TFS’s Supervising Sound Editor Dan Morgan was the Dialogue Editor on this feature release as well as Co-Supervising Sound Editor along with Ian Wilson.

Watch the trailer below!

Top Gun Maverick makes its Cannes Festival debut

Top Gun Maverick release date

Paramount Pictures has originally scheduled to release the film in July 2019. However, the date was moved several times to allow the re-filming of some flight sequences, but also due to the COVID-19 pandemic and tight schedules.

The film had its world premiere at CinemaCon on 28 April 2022 and a screening at the Cannes Film Festival on May 18 in an Official Selection Screening. It was one of the most awaited events of the festival with a star-studded premiere of the film. The Patrouille de France flew over the festival as the crew and actors were on the red carpet, and Tom Cruise received an Honorary Palme d’Or ahead of the screening.

Today is also the 72nd Royal Film Performance™ and UK premiere of Top Gun: Maverick in the UK. Every Royal Film Performance™ raises money for the Film and TV Charity, going towards supporting those behind-the-scenes.

Top Gun: Maverick is scheduled to be released in the UK on 25 May 2022.

Top Gun Maverick Story

After 30 years of service as one of the Navy’s top aviators, Pete Mitchell is where he belongs – pioneering as a brave test pilot and dodging the advancement in rank that would ground him.

He finds himself training a detachment of Top Gun graduates for a special mission and encounters Lt. Bradley Bradshaw (Miles Teller), the son of Maverick’s late friend.

Facing an uncertain future and confronting ghosts of the past, Maverick is drawn into a confrontation with his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who will be chosen to fly it.

all-star cast

The film features an all-star cast, including Tom Cruise as Captain Pete “Maverick” Mitchell, test pilot and flight instructor, Jennifer Connelly as Penelope “Penny” Benjamin, Maverick’s new love interest and Miles Teller as Lieutenant Bradley “Rooster” Bradshaw, a pilot in the mission training group.

HOLD MY HAND, top gun music

Lady Gaga released ‘Hold My Hand’, set to feature on the upcoming Tom Cruise film, due out in cinemas on 27 May.

top gun Maverick Sound mix at tfs

The final Sound Mix for Top Gun: Maverick was carried out in TFS Theatre 1 by Chris Burdon and Mark Taylor with Harry Jones, Will Miller and Tom Melling as Mix Techs.

Led by Oscar-nominated Sound Supervisor, James Mather, the Soundbyte Studios Editorial team used their base at the TFS creative campus to create a dynamic and epic Mix for this long-awaited summer blockbuster.

TFS Talent update

TFS is proud of its world-class Talent that creates our creative campus for Filmmakers. This week, we announce the promotion of three of our team members.

Dan Turner from Mix Technician to Senior Mix Technician

Dan Turner is smiling at the camera with a brick wall behind him.

Dan Turner first joined TFS in 2018 as a Junior Engineer, after graduating from Southampton Solent University and completing the Dolby Internship Scheme. He joined the Sound department in March 2020 as a Sound Mix Technician. Recently, he has worked on titles such as Army of Thieves, The Hitman’s Wife’s Bodyguard, Operation Mincemeat and Edgar Wright’s ‘Last Night In Soho’.

“The TFS Sound department is a team i’m hugely proud to be a part of. We have an exciting team of talent, world class facilities and we are grateful for the incredible clients and projects we work with. This change in role will use my experience to support our sound department, with our constant aim of pushing our technology offering forward and creating a bespoke experience for each client”

Rob Davidson from Mix Technician to Foley Editor & Recordist

Rob joined the Sound department in 2019 after graduating from Liverpool Institute of Performing Arts. Shortly after joining he began as a Mix Technician, working on titles such as Ridley Scott’s House of Gucci, Edgar Wright’s Last Night in Soho and Kenneth Branagh’s Death on the Nile.

“Over the past three years as a Mix Technician, I’ve been lucky to have worked on a number of great projects with incredibly talented people. I’m excited to now be joining the excellent Foley team, where I’ll get to contribute to an earlier part of the Audio Post process in a creative role.”

Rob Davidson is smiling at the camera with a brick wall behind him.

Manav Kher from Junior Mix Technician to Mix Technician

Manav Kher is smiling at the camera with a brick wall behind him.

Manav joined TFS as a Sound Runner in 2020. He quickly became a crucial part of the team and received a promotion a year later to Junior Sound Mix Technician. Recently Manav has worked on The Outfit (2022) and Ten Percent (2022).

‘The promotion to Mix Technician is an exciting and new challenge within the Sound department. It’s an opportunity to not only further my technical ability but to get the chance to work on the high profile projects that TFS has to offer.’

TFS’s Mix Tech team is now formed of Dan Turner, Harry Jones, Filipe Pereira and Manav Kher, while the Foley team is made up of Adam Mendez, Oli Ferris, Rob Davidson.

The Media Production and Technology Show 2022 welcomes TFS to its exciting panels

The Media Production and Technology Show has established itself as a must-attend event for media and broadcast industries since its launch in 2016. Focused at first on the creativity of content production, the event now also explores the technological side of the industry.

The Media Production and Technology Show to welcome over 7,000 visitors

Part of MPTS since 2019, the show is holding its first in-person event since then with more than 7,000 attendees expected to join. This year, the programme is made up of interactive exhibitions and seminars covering broadcast content creation and technology, from pre-production and production to virtual production, post and distribution.

MPTS is organised by Media Business Insight (MBI) Ltd, publishers of Broadcast, Broadcast Sport, Broadcast Tech, KFTV, The Knowledge, and Screen International.

TFS invited to join two exciting panels

The Media Production and Technology Show panel featuring Cara Sheppard
Head of Technology and Engineering Tom Witkowski will join an exciting panel, featuring Muki Kulhan and Will Case from Creative Technology. They’ll discuss ‘TheVirtual New #Hollywood: Welcome the Golden Age of Production”. MD Cara Sheppard will speak at two panels, “The Evolution of Studios – what does a modern Film and TV Studio need to be?” and “Celebrating Women in Media”, alongside female industry leaders in a variety of media roles, including Kate Bellingham and Jennifer Mihalovic from Sky.

BFE Cut Above Awards 2022 winners announced at TFS

Following an exciting nomination event in March, Twickenham Film Studios welcomed British Film Editors (BFE) on The Terrace last week, for a red carpet event celebrating the 2022 Cut Above Awards. The annual ceremony are the only awards to exclusively recognise excellence in film editing in the UK. This year’s edition was live-streamed from TFS.

British Film Editors is a non-profit association of film and TV editors and assistant editors in the UK, with the time to celebrate the art and science of film editing, in all its forms. BFE champions the work of their established members and nurtures new talent, alongside bringing together industry professionals to share their experiences and practices. The association largely contributes to the development of inclusivity and diversity in the industry.

This year, Twickenham Film Studios have sponsored the Best Edited Series: Documentary or Non-Fiction, in which was nominated The Beatles: Get Back documentary series. Edited by Jabez Olssen, the episodic won the award.

Eight editors received more than one nomination, with productions nominated in two categories. Named in memory of BFE members who sadly passed away in 2020, two categories were peer-nominated by editors and assistants, and decided by a jury.

For a full list of winners, head to BFE’s website or watch the full live streamed event on YouTube, as it took place online this year.

TFS welcomes Celluloid Junkie Cinema Summit on its creative campus

Twickenham Film Studios is proud to have partnered with Celluloid Junkie to bring you a live and interactive webinar on Thursday 5 May.

Celluloid Junkie is the leading online resource focussed on the global film and cinema business. They provide the growing international community of film and cinema professionals with the latest news, insights, interviews and research on the motion picture industry.

CJ has been reconnecting the global motion picture community during the COVID-19 outbreak with the launch of Celluloid Junkie Cinema Summit – a series of live interactive webinars. Industry experts from around the world share how they tackle the crisis and recover from the pandemic, online and now face-to-face.

The next CJ webinar will take place on Thursday 5 May 5 2022, at 5.00pm BST, and will be live from multi award-winning creative campus Twickenham Film Studios. Thanks to being a true Home For Filmmakers, TFS has been the London home to many famous films and TV shows.

CJ talks to Cara Sheppard, Cherri Arpino, Craig Irving and Tomasz Witkowski on how cinematic sound is created, how popular Dolby Atmos has become and how they kept the James Bond secret for over two years.

Patrick Von Sychowski and Sperling Reich will give a global overview before interviews and panels with key Talent from Twickenham Film Studios take place. The live webinar will be followed by an IRL drinks reception.

Ten Percent, British remake of ‘Call My Agent’ release date announced

Written by BAFTA-award winner John Morton, “Ten Percent” is coming out on Amazon’s Prime Video on 28 April for a series of eight exclusive episodes.

TFS carried out an entire script-to-screen scenario on the series, from providing show stages and dailies, to carrying out sound editorial, foley, mixing and delivery.

Just like its French counterpart “Dix Pour Cent”, the show follows a group of agents at a fictional British talent agency – Nightingale Hart – and highlights the U.K. industry’s fierce competition with American companies.

The show features an all-star cast, with big names including Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Eleonore Arnaud and Jim Broadbent.

A list of cameos are also to be expected, with Helena Bonham Carter, Olivia Williams, David Oyelowo, Dominic West and Clemence Poesy among others.

Watch the trailer for Ten Percent on YouTube and don’t forget to set a reminder for 28 April!

The Earl of Wessex becomes new Patron of the Production Guild of Great Britain⁠

prince edward earl of wessex, the first Royal Patron for pggb

The Earl of Wessex has become the new Patron of the Production Guild of Great Britain⁠, the UK’s leading membership organisation for professionals working in film and television drama production.

To mark the new patronage, His Royal Highness today visited Twickenham Film Studios in West London, the UK’s oldest film studio. His Royal Highness met production crew at the studios to hear about their experiences of working in the industry, and the support provided by the PGGB, as he takes up his new role as Patron. The Earl also joined Oscar winner Tim Cavagin, who won for sound editing Bohemian Rhapsody, at the studio’s mixing desk to learn more about the craft and importance of sound editing in film and TV production.

HRH The Earl of Wessex with Oscar winner Tim Cavagin at Twickenham Studios

A Royal Visit for the earl of wessex

His Royal Highness is the first Royal Patron in the history of PGGB, which represents skilled professionals working behind the camera within the production office, accounting, locations, assistant directing, post-production and VFX. As well as providing industry advice, employment opportunities and training to UK crew, PGGB also works closely with national agency the British Film Commission to increase access to a diverse and experienced workforce. On becoming Patron, HRH The Earl of Wessex said: “The Production Guild of Great Britain provides incredibly valuable support to the UK’s production industry and crews, especially those in the less glamorous and visible roles. If we want more young people to consider a career in production, then we ought to be shining a brighter light on where the opportunities lie. I look forward to working with the Guild and trying to help them in their efforts to broaden access and inclusion within the UK production workforce.”

Twickenham Studios honoured to welcome hrH

Cara Sheppard, Managing Director of Twickenham Film Studios, said: “We were honoured to welcome The Earl of Wessex, a long-time supporter of our industry, to Twickenham Film Studios today. We were delighted to give His Royal Highness a tour of all of our filming stages and our BAFTA and Oscar-winning Sound and Picture department, and to introduce The Earl to some of our clients and in-house creative talent. It is hugely encouraging to feel the genuine support for increasing diversity and inclusion within our industry and attracting and training the next generation of filmmakers.”

The Earl of Wessex takes a keen interest in the arts and is Patron of a range of organisations that aim to widen opportunities within the sector, including the National Youth Theatre of Great Britain, Northern Ballet and The Orpheus Centre Trust.

His Royal Highness formerly worked in theatre and television production, before becoming a full-time working member of the Royal Family in 2002.

TFS celebrates International Women’s Day