Variety | https://variety.com/2021/
Televisual | https://www.televisual.com/
UK Screen Alliance | https://www.ukscreenalliance.
LBBOL | https://www.lbbonline.
Behind the Glass | http://www.behindtheglass.uk/article-select.php?id=273&cat=111&pag=1
Twickenham Film Studios continues to add to the world leading team of talent as part of the new era rebrand changes and are thrilled to welcome Cherri Arpino as their new ‘Head of Production’.
Cherri is highly experienced in Production and Post Production having spent nearly 18 years globally with some of the most well known film studios, creative content creators, and with some of the worlds leading talent from Feature film and TV.
Prior to joining Twickenham Cherri worked Cinelab, Company 3 and Technicolor specialising in Dailies Management, Picture Workflow and DI.
Cherri’s wide skillset includes producing and managing post production across the feature film, television, commercials and wider entertainment sectors, communicating directly with production, editorial, VFX, directors, cinematographers and studio executives worldwide.
Cherri will form a fundamental part of the business working closely with MD Cara Sheppard, and the Senior Management Team including Director of Technology & Engineering Tom Witkowski and Director of Facilities & Operations Laurence McCormack to nurture all client relationships, new business and sales, as well as ensuring the highest level of experience working with TFS delivering projects across all departments.
She most recently joins from working on the highly anticipated Jurassic World: Dominion set to launch in 2022. Prior to that Cherri was Head of Production at Cinelab. She also worked for several years at Company 3, as well as being Head of Dailies at Technicolor for nearly 10 years.
Her wide list of creative highlights include working on such Feature Film and TV creds as: Wonder Woman 1984, Star Wars: The Rise of Skywalker, Tomb Raider, T2 Trainspotting, Harry Potter and the Deathly Hallows: Part 1 and Part 2, TV series Succession and she was even Dailies Manager on Bohemian Rhapsody for which the TFS Sound Team, lead by Re-Recording Mixer Tim Cavagin, won a ‘Best Sound Mixing’ Oscar.
One of the projects she most enjoyed worked on was Star Wars: The Rise of Skywalker in which she was based out of Pinewood overseeing the blockbuster feature. It allowed for an integrated, and true close working collaborative way of working across all teams which is key to what we’re already actively implementing at TFS.
Cherri firmly believes in the need to level the playing field between all parties; client, vendor, studio, post and encourages close open working approaches. Her decision to join TFS was very much made around the strong culture and working environment created by MD Cara Sheppard and the new Managing Partners Piers Read and Jeremy Rainbird within the studio.
She joins at such an exciting time for TFS and the team that are being brought together to take the studio to a new level. Cherri will ensure we offer the highest end technical production and post production support, creativity and production approaches across both features and high end episodic content. Through technical and creative innovation and with a collaborative approach to filmmaking; TFS is perfectly positioned for the exciting challenges that the industry will face in 2021 and beyond.
TFS MD Cara Sheppard comments: “I couldn’t be any happier to welcome Cherri to our TFS family. I have known and known of Cherri for many years as her reputation really does precede her.
She is an equally respected and loved industry talent. Having played an integral role in such high caliber companies
She will be responsible for driving our key client relationships, brand awareness and reputation, as well as bringing on board top tent pole Film and high HETV productions. I am assured that with Cherri’s boundless energy, vision and passion for all things Film and TV we are set for more continued success”.
Cherri Arpino New TFS Head of Production comments: “I am thrilled to have joined Cara and the amazing family at Twickenham Studios and to bring my experience to the table with the talented team in relation to all things Production and Post Production. I’ve known many of the team here for years and I’m excited to see this group of all-stars coming together to make magic!
Alongside my knowledge of Production and Post pipelines, I bring with me an understanding of the different nuances within this industry and the requirements that our clients may have – no two productions are the same. It’s one thing to provide a service, but quite another to be able to react to our clients many and varied needs in real time, to understand what challenges are being faced and to always find a way to help no matter what is needed.
My experience in Dailies over the last 18 years has given me unique insights into the unpredictable nature of the filmmaking process and it’s that which drives me to be a rock to our clients both technically and emotionally. Nothing is ever off the table, whether that be a processing request, navigating around ever-changing schedules to provide solutions or just talking.
Working in the industry can often be an intimidating and overwhelming experience regardless of the size of the production and deserves more attention than is often given. We are human beings with different personalities, so it’s vital to understand that there is no ‘one size fits all’ and that we need to provide a safe and welcoming environment to work in. We cannot underestimate the importance treating each other with respect on all levels and it’s our responsibility to lead by example – we are culpable, responsible, and capable of achieving this. I’m driven by my passion of creating an understanding and supportive environment regardless of the scale of the production.
This is what attracted me to Twickenham Film Studios in the first place; their ethos of creating a nurturing environment whilst providing the highest level of service as is their mantra of being a ‘Home for Filmmakers’. And that’s really what we are building here – a home away from home with a passionate, hardworking, top level and supportive crew.
The Last Duel is an upcoming British-American historical drama directed by Ridley Scott and 20th Century Studios.
Check out the new trailer >> https://lnkd.in/dwpqmiW
A tale of betrayal & vengeance set against the brutality of 14th century France.
Based on the book “The Last Duel: A True Story of Trial by Combat in Medieval France” by Eric Jager, the screenplay is written by Nicole Holofcener.
Starring Ben Affleck, Matt Damon, Adam Driver and Jodie Comer.
The TFS team were proud to work closely supporting Oliver Tarney (Supervising Sound Editor). With TFS Will Miller carrying out FX Mix, with the final mix carried out in the US. TFS Foley Mixer Adam Mendez, Editor Sophia Hardman, Artist Oli Ferris and Artist Sue Harding.
In theatres from October 15th.
As part of Twickenham Film Studios ongoing commitment to nurturing next generation talent and bringing through in house roles – we are proud to share the latest news that we have promoted two hugely popular Runners Ruby Hornsey and Manav Kher.
Ruby Hornsey joined the TFS team as a Runner back in 2019 and has been a fundamental part of the client service and daily running of the studios ever since. Her recent promotion to TFS Studios Co-Ordinator is such a perfect next step with her positive, can do, friendly, organised approach to everything she does, as well as her close working client relationships. She will be responsible for ensuring studios project bookings and offices coordination run seamlessly working closely with Curtis Grime – as part of further elevating our client experience across all productions. Prior to working at Twickenham Film Studios Ruby worked with such creative production companies as Baby Cow and Merman. Her experience has mostly been working in production offices as a Runner, PA and as an Office Manager. She has also worked on several shoots – in the production department, floor running and art department on both location and in studio set ups including being part of the production team on The Last Leg.
Manav Kher has been a Sound Runner at TFS since 2020 before recently having a very well deserved promotion to TFS Junior Sound Mix Technician. His passion for all things music – composition and sound mixing – has made him an invaluable support to the multi award winning sound team. Manav lives and breathes music and sound so his new role will allow him to further progress his sound mix knowledge and training journey by working closely with the team of Mix Technicians and Re-recording Mixers. Prior to working at Twickenham Film Studios Manav did work experience at 750 and Wave Studios.
Huge congratulations to Ruby and Manav – we look forward to their continued career journey within the campus.
With their departure from the Running team we have recently welcomed some more new TFS Runners so will be sharing more news of their arrival soon!
We’ve engineered the Televisual Village Fete to be as safe as we can make it; like going to a village pub garden, but in the centre of the metropolis
Hollywood tentpoles and high-end TV are driving production activity to record heights: “This bottleneck was built because of COVID-19.”
At the end of the first series of Intelligence, we saw NSA agent Jerry Bernstein (David Schwimmer) narrowly avoid being extradited back to the States to face charges of treason. Indebted to his boss Christine (Sylvestra Le Touzel) for stepping in to protect him at the last minute – albeit with ulterior motives – we start series 2 with Jerry on the back foot. However when it’s revealed that the Russians have got their hands on a cyberweapon that Jerry was instrumental in developing, his intel suddenly becomes vital to national, if not international, security. Facing some demons from his past along the way, by the end of episode 1 he is firmly back in his alpha male comfort zone and heralded a hero.
Meanwhile Joseph (Nick Mohammed) has romance on the cards since sparking up an online friendship with Charlotte from the GCHQ offices in Bude. Romance blossoms and not even Jerry’s meddling nor Christine’s ban on cross-departmental relationships can get in the way.
As the series progresses, however, it soon becomes clear that while the initial cyber attack has been thwarted, the Russians are able to mutate the cyberweapon and Jerry’s personal security comes under serious threat…
TFS were proud to welcome the Intelligence cast and crew to film the series on site using our Studios 1 and 3 as well as our production facilities.
All episodes of Intelligence 2 will be available from 8 June on Sky One and streaming service NOW
BAFTA has announced ambitious plans to dramatically expand the work it does to find and support new talent in the UK and globally.
In 2022 the charity plans to relaunch its year-round learning and talent development programme, engaging over 10m learners online and equipping 80,000 people a year with the tools to develop a career in film, games and television via events, competitions and initiatives. In addition, bespoke year-round support will be given to 4,000 talented individuals through initiatives including BAFTA Breakthrough, BAFTA Crew, Young Game Designers and newly -developed initiatives to help talent realise their potential.
The expansion is made possible by the ongoing redevelopment of BAFTA’s headquarters at 195 Piccadilly. Due to officially open in 2022, 195 Piccadilly will be a creative centre for film, games and television and the central hub for BAFTA’s UK-wide, and global, learning and talent development programme. The redevelopment will give BAFTA its first ever dedicated learning space, as well as state-of-the-art technology and increased revenues to enable it to fulfil its charitable remit for years to come: investing in the next generation of talent; helping to build a more inclusive and diverse industry; and increasing public engagement.
The BAFTA Review, which was published in 2020 announcing wide-ranging changes to BAFTA’s Awards, has informed and focused the enhanced learning programme announced today. The Review, an industry-wide consultation on issues within BAFTA’s voting procedures and the wider industry, identified groups who face particular challenges in accessing the screen industries, including disabled practitioners, and challenged the industry to address the serious lack of opportunity and equality. The expanded learning and talent development programme is informed by these findings, ensuring a diverse future across the film, games and television industries.
So far, the redevelopment has been generously supported by donations from the film, games and television industry, individuals, and trusts and foundations. Donors include: The Dolby Family and Dolby Laboratories, The Shaw Foundation Hong Kong, Netflix, The Reuben Foundation, the Clore Duffield Foundation and The Mayor of London’s Good Growth Fund, supported through the London Economic Action Partnership (LEAP).
Major donations from a number of individual philanthropists include The Dorfman Foundation, Duncan Kenworthy OBE, Kevin and Carrie Burke, Eilene Davidson, Donald Taffner Jr., Mrs Alfiya Askar Abulkhair, and Vera Wang. It has also been supported by Disney, Dana and Albert R. Broccoli Foundation, WarnerMedia, NBCUniversal, All3Media, The Richard Attenborough Charitable Trust, Codemasters, Entertainment One, Carnival Film & Television, Activision Blizzard, Left Bank Pictures, Twickenham Film Studios. A full list of supporters is available here.
In addition to generous support of the 195 redevelopment, Netflix is also the main supporting partner for BAFTA Breakthrough, the flagship global talent initiative operating across the UK, USA and India, which showcases and supports the next generation of creative talent in film, games and television.
BAFTA continues to fundraise to support the expanded learning and talent development programme and the redevelopment of 195 Piccadilly, find out more at www.bafta.org/about/
Amanda Berry OBE , Chief Executive at BAFTA said: “This is a vital investment in the creative future of film, games and television. Our cross-sector knowledge, global talent networks and the newly renovated 195 Piccadilly will allow us to deliver a learning and talent development programme that enables talented individuals to build careers in our industries. The redevelopment of 195 Piccadilly, and the opportunities it will make possible, will allow BAFTA to ensure that the next generation of talent – whatever their background – has the vital chance to succeed.”
Barbara Broccoli, BAFTA Vice President for Film, said: “I am passionate about supporting BAFTA’s role in educating, inspiring and celebrating the diverse future generations of talent in film, digital and games. The redevelopment will enable BAFTA to expand this important work.”
Ray Dolby’s son David Dolby, said: “BAFTA is the home of film, games and television in the UK, and we are proud to support the redevelopment of 195 Piccadilly both financially and with Dolby’s technology so visitors to the building can enjoy the best audio-visual experience, and see the magic on the screen come to life as the creators intended. Supporting BAFTA is a fitting tribute to Ray Dolby’s innovation in sound technology and the founding of Dolby Laboratories in London, both of which have had a tremendous impact on the creative industries.”
Raymond Chan, The Shaw Foundation Hong Kong, said: “The Shaw Foundation Hong Kong is thrilled to celebrate the legacy of the late Sir Run Run Shaw and his historic relationship with BAFTA by naming the new screening room at 195 Piccadilly. It is very exciting that the new Run Run Shaw Theatre, a 41-seat cinema with state-of-the-art screening capabilities, will provide a new opportunity to showcase the work of new and emerging talent.”
Anne Mensah, Vice President of Original Series at Netflix, said: “We’re incredibly proud to build on our support for BAFTA, its training initiatives and the redevelopment of 195 Piccadilly. This is an exciting moment for BAFTA and we hope that the venue will be able to deliver new learning and development platforms to inspire and provide a helping hand into the industry for the next generation of British creatives.”
Debra Reuben, The Reuben Foundation, said: “The year-round work BAFTA undertakes to break down barriers and provide opportunities for new and emerging talent is truly remarkable. The Reuben Foundation is delighted to support the redevelopment of 195 Piccadilly which will greatly expand BAFTA’s reach, and give even more people the tools and skills they need to undertake a career in the film, games and television industries.”
Sir Lloyd Dorfman CBE, said: “BAFTA is a special charity, operating at the heart of the UK’s creative industries, one of the greatest assets of this country. The redevelopment of 195 Piccadilly will enable BAFTA to dramatically increase its charitable activity supporting young people working in the sector.”
Dame Vivien Duffield DBE, Chair of The Clore Duffield Foundation, said: “The Clore Duffield Foundation is passionate about the people using our spaces and the transformative power of the arts within their lives, so we are thrilled to be supporting the redevelopment of 195 Piccadilly and the creation of a whole new floor dedicated to BAFTA’s expanded learning programme. It is very exciting that the Clore Learning Space at BAFTA 195 Piccadilly will be the UK’s first Clore Learning Space dedicated to the art forms of the moving image.”
Deputy Mayor for Planning, Regeneration and Skills, Jules Pipe, said: “London’s world-leading creative industries such as film, games and TV have a crucial role to play in our economic recovery from Covid. The Mayor has made creating and protecting jobs a top priority and we’re proud to support this project through his Good Growth Fund. Women, those from BAME communities, disabled people and Londoners from lower socio-economic backgrounds are significantly under-represented in the screen industries – so this new investment by BAFTA will also be vital in helping people into careers in these exciting fields.”
Sara Geater, All3Media Chief Operating Officer, said: “All3Media is delighted to support BAFTA’s project, which is an important investment in the next generation of television talent. It is crucial for the creative and commercial future of our industry that jobs and opportunities are accessible to those from all backgrounds. The work that we all produce, the value we contribute both financially and culturally, will be far more relevant, impactful and meaningful as a result.”
Frank Sagnier, Chief Executive of Codemasters, said: “Codemasters is proud to support BAFTA’s redevelopment of 195 Piccadilly as an investment in the next generation of gaming talent. BAFTA’s talent development schemes, including Young Game Designers, BAFTA Crew and Breakthrough are vital programmes that support, discover and inspire the games creators of the future, and the redevelopment will enable these programmes to expand and reach more people globally which is very exciting”
The redevelopment of BAFTA 195 Piccadilly is also supported by our Official Suppliers; Christie, CinemaNext, eyrise B.V., ETC, Floral Street Fragrances, Kirwin & Simpson Seating, Knight Harwood and QSC. Find out more about Official Suppliers here.
The project architect is award-winning Benedetti Architects Limited.
